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The Jury Room Workshop January 4th, 2004 |
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Featured in this
section are various poets who have participated in Jury Room since its inception
in 1988, and some of their poems actually workshopped,
with revisions included, thanks to the suggestions of other members. Jury Room is
currently on sabbatical pending further notice.
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Maureen
Glaude A former Board member and co-publicity-manager on the Sasquatch Artists’ Performance Series, and a regular there since 1997, Maureen frequents this series, El Taller Cultural El Dorado, and others, to share poems, as well as participating in writing study groups facilitated by Sylvia Adams, and Barbara Myers (The Wellington Street Poets). She has been a member of kado ottawa since its inception. Also a former OIW (Ottawa Independent Writers) member, and participant in several critique groups. She's been a featured reader at Sasquatch, (summer 2003 and previously), and at Tree, January 2000. Glaude’s work has appeared in several literary
publications, including The Wolf Magazine, London, England, Palabras
Productions, San Gabriel, California, and in the TOPS (The Ontario Poetry
Society) anthology (2003), Rocks and Rhythm, and the anthology (August 2002),
Earth Songs.
You ask me why I
spend I like my venues
and ventures when I share my
poems I string images
to embrace listening to the
others’ works back at the
green felt or from old
games, sure moves and so I’ll add
my name 1998
~~~ (Guitar Senryu shared at Jury Room) last call for
the spring gig 1999 Tree Mischief today I caught
my young cat Dec.1999
All
poems © Maureen Glaude |
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Chris
Sorrenti A long time resident of
Ottawa, Chris Sorrenti first started writing poetry at age 15, as a means of
dealing with the pressures of adolescence, and has been hooked ever since. In
his own words, “I find reading and writing poetry a
spiritual experience, helping me to survive difficult times, and to celebrate
the positives in my life.” In 1992, Sorrenti joined
the executive of the Tree Reading Series, finishing as Director before
stepping down in 1994, and is currently web master for the Sasquatch Artists’ Performance Series in Ottawa. His work has appeared
locally in periodicals such as Bywords (1991), Alter Vox
(2000). In 2000, his poem, Super Nova was published in the Australian
(Canberra) arts newspaper, Muse. More recently, his poem, Less Cluck But More
Meat For Your Buck, won honorable mention in the 2001 Ray Burrell Award for
poetry, and subsequently published in Vol. 11 of the creative writing
periodical, Grist Mill.
OTTAWA
Like the fabled El Dorado it beckoned ever stronger now just over the horizon where all our relatives could be
found Early childhood visits in summers past dreams fulfilled when to a small boy wrapped in the innocence of the 60s two weeks there seemed too long in coming then gone so fast This air force family - no
more transferring itself to small town Canada now only 40 miles from the poetry of a million lights Peace Tower and Parliament and leading to them a ten mile strip called Bank Street where anything could be bought But for now we were happy with main street covered in a five minute walk where one could comfortably say hello to strangers easily recognize fellow residents from those out of town and at home leave doors unlocked In summer my brother and I would ride our bikes up to the highway Dairy Queen and while eating our cones smile at the ribbon of gold eyes following to where it disappeared on the horizon and to a dream fulfilled but a few years away CANADIAN ENVIRONMENTAL ADVISORY
COUNCIL
the Environmental Advisory
Council’s a fun place to be there’s Max McDonald with a pencil
in his mouth running back and forth to the
telex machine a champion of bureaucratic power you can hear his hearty laughter
right down the hall as he greets colleague after necktied colleague his assistant Veena
Pumernell always has a smile although buried knee deep in the
paperwork funding’s
down slightly but the public is concerned so her contract will surely be
renewed she may be Indonesian of origin
and custom but her heart’s in the Canadian
shield there are multinational conglomerates
defecating on the countryside but nothing gets past these guys the Prime Minister’s got an ear
hanging on the wall though CEAC’s
outside the main departmental organization drop by for coffee on a Friday
afternoon they’ll be happy to discuss the
latest ecological trends THE
UNTOUCHABLES some of us, cotton others, leather still others mere burlap like or it not all stitched together the only certainty who decides the next design we stretch across our backs the untouchables some of us, chrome built only for show others, steel spoked
for endurance all endlessly turning round that great big wheel while still others only the asphalt beneath some of us, tin permanently bent others, titanium absorbing high stress in the foulest weather quickly returned to their original shape once the storm clears who will lose and who will win who will be fat and who will be thin who will live and who will die ours is not to question why only realize who decides the untouchables
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